{"id":3493,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/dave-frishberg-joel-chasnoff-live\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"dave-frishberg-joel-chasnoff-live","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3493","title":{"rendered":"Dave Frishberg \/ Joel Chasnoff Live"},"content":{"rendered":"<div align=\"right\"><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Dave Frishberg \/ Joel Chasnoff<\/strong><\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:14px\" color=\"Blue\" face=\"Verdana, Helvetica\">  <strong>at the Leventhal Sidman Jewish Community Center<\/strong><\/font><font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\"><br \/>(Newton, MA \u00ad January 17, 2004)<br \/> by Matthew S. Robinson <\/p>\n<p><\/font><\/div>\n<p>  <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\">  Following the age-old Vaudevillian adage, &#8220;Open with comedy. Close with a song.&#8221; Minnesotan jazzman Dave Frishberg and Chicago-by-way-of-Gaza comedian Joel Chasnoff put together an evening of wonderfully enjoyable entertainment. <\/p>\n<p>    Chasnoff kicked off the show with a multi-lingual set of fresh routines on such well-used comedic frameworks as raising children (in his case, twin girls) and getting by in a foreign country (or even in a Jewish day school).  <\/p>\n<p>  With well-timed references to past offerings, Chasnoff kept his set moving almost as much as he did. Combining Steve Martin&#8217;s style with tricks learned while in the famed Mask &amp; Wig troupe at U.Penn, Chasnoff kept the Jews and Gentiles laughing and left them all wanting mehr.<\/p>\n<p>    When Frishberg took the stage, the uninitiated might have confused him for a college professor. However, once he began dabbing his brow like Louis Armstrong, doffing his sport coat like Lionel Hampton, and playing a bit like both, there was no mistaking just how &#8220;hip&#8221; he was. In fact, he did not even have to sing the self-aggrandizing them song, &#8220;I&#8217;m Hip.&#8221; Instead, Frishberg got right down to business with &#8220;I Can&#8217;t Take You Nowhere,&#8221; and then launched rapidly into such other favorites as &#8220;My Attorney Bernie,&#8221; the dreamy composer tribute &#8220;Eastwood Lane,&#8221; Dan Broadbent&#8217;s &#8220;Heart&#8217;s Desire,&#8221; and the admittedly &#8220;bad&#8221; Cowboy song &#8220;Oklahoma Toad.&#8221; All along the way, the North&#8217;s answer to Mose Allison (or is Mose the Southern Frishberg?) demonstrated his fine sense of rhyme and fun feel for rhythm. From the jazzy tempo of &#8220;Zanzibar&#8221; to the steady four-beat of &#8220;The Hopi Way,&#8221; Frishberg mixed it up without becoming too mixed up himself. And though his keys stumbled and his lyrics were mumbled once or twice, the co-author of such classics as &#8220;Peel Me a Grape&#8221; and (for you younger fans) &#8220;I&#8217;m Just a Bill&#8221; kept it together song after song. Though he may have claimed (musically, of course) to wish to be a &#8220;Sideman,&#8221; Frishberg deserved the full spotlight tonight!  <\/p>\n<p><font face=\"verdana\" size=\"1\">\u00a9 2004, M. S. Robinson, ARR<\/font>            <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dave Frishberg \/ Joel Chasnoff at the Leventhal Sidman Jewish<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3493","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3493"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3493\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}