{"id":3481,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/david-mann-touch\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"david-mann-touch","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3481","title":{"rendered":"David Mann &#8211; Touch"},"content":{"rendered":"<p align=\"Right\"><font face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\"><img loading=\"lazy\" decoding=\"async\" align=\"Right\" alt=\"David Mann - Touch\" border=\"0\" hspace=\"4\" src=\"https:\/\/jazzusa.com\/storypix\/touch_.jpg\" vspace=\"2\" width=\"100\" height=\"100\"\/><\/font><font color=\"blue\" face=\"Verdana, Helvetica\" size=\"4\">David Mann<\/font><br \/><font color=\"blue\" face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\"><b>Touch<\/b><\/font><br \/><font face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\"><\/font><font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\"> by Ray Redmond<\/font><font face=\"Verdana\" size=\"2\" color=\"#000000\"> <\/font><\/p>\n<p align=\"left\">Since teaming with his brother <b>Ned<\/b> in 1993 to put out <i>Mann to Mann<\/i>, David Mann has been behind the scenes, writing tracks for the likes of Nelson Rangell, Kim Waters, Wayman Tisdale and Rachel Z. He is back with a new release on N-Coded music that is filled with fresh tunes, retro flavor and <i>sweet jazz<\/i>.  <\/p>\n<p>  The CD starts out with the soft, sweet, retro-reminiscent  &#8220;Above and Beyond&#8221;.  <b>Chris Botti<\/b> joins in with a nice trumpet solo on &#8220;Yes We Can&#8221;.  The next track is literally a &#8220;Stone Groove&#8221; with Mann&#8217;s alto and the electric guitar stylings of <b>Chuck Loeb<\/b> smoothing you along from start to end. The cover of the classic &#8220;Where is the Love&#8221; is quite smooth and soulful, stylized but not overdone with Mann&#8217;s trademark sax\/flute blend leading the way.   <\/p>\n<p>  &#8220;Slinky&#8221; is funky but a bit shallow, aiming to hit the same groove as some of the old <i>Tower of Power<\/i> or <i>Cold Blood Rhythms<\/i> and reaching the level of good-n-funky, but not <i>that<\/i> funky.  &#8220;Love is a Curious Thing&#8221; features the vocals of <b>Catte Adams<\/b> and gets my vote as best-of-album. Melodic and well crafted, it is imbued with the same overall old-school feeling as the rest of the CD, but it transcends the effort and reaches the point. Perhaps it&#8217;s the vocals that captured me.   <\/p>\n<p>  &#8220;Old School&#8221; oddly enough sounds more like smooth jazz than old-school jazz. hmmmmm..   Mann spent three years recording and touring with <i>Tower of Power<\/i>, and their influence flavors the tight horns at the start of &#8220;Blessing in Disguise&#8221;.  The most radio friendly cut &#8220;Smoke Rings&#8221; features <b>Bob James<\/b> and Chris Botti combining with Mann to produce an earthy, rhythmic jaunt.   <\/p>\n<p>  This spring has seen a flood of new releases, many in the same genre as David Mann&#8217;s <i>Touch<\/i>, and many are as good i many ways. <i>Touch<\/i> stands out for me in that ALL of the tunes are good and I am sure that at least THREE of these will get major airplay. Be sure it gets airplay in your personal space.  <\/p>\n<p align=\"center\"><cfinclude template=\"adbanner.asp\"\/><\/p>\n<p align=\"center\">\n<p>    <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>David MannTouch by Ray Redmond Since teaming with his brother<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3481","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3481"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3481\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}