{"id":3474,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/ramsey-and-nancy-meant-to-be\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"ramsey-and-nancy-meant-to-be","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3474","title":{"rendered":"Ramsey and Nancy &#8211; Meant To Be"},"content":{"rendered":"<p align=\"right\"><b><font size=\"4\" style=\"font-face:verdana; font-size:14pt\" color=\"Blue\" face=\"Verdana, Helvetica\">Ramsey and Nancy<br \/><\/font><font color=\"#0000FF\" face=\"Verdana\" size=\"3\" style=\"font-face:verdana; font-size:12pt\">Meant To Be<\/font><\/b><br \/><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:8pt\">(Narada Jazz &#8211; 2002)<br \/> by Carmen Miller<\/font><\/p>\n<p align=\"left\"><font size=\"2\" style=\"font-face:verdana; font-size:10pt\" face=\"Verdana, Helvetica\" color=\"#000000\">Nancy Wilson is probably my all-time favorite female vocalist, so I would have probably titled the CD &#8216;Nancy and Ramsey&#8217;, but these two got the rest of this thing <i>right on the money<\/i>!  The opening song <i>First Time Love<\/i> starts off with a couple of softly presented notes, then Nancy comes flowing out and around Ramsey&#8217;s delicately woven accompaniment like warm syrup on a winter morning. The song builds in tempo and intricacy while remaining as comforting as those first few lines. The soft and pensive instrumental <i>Meant to Be<\/i> follows giving Ramsey a chance to show his own skills. Then comes the classic <i>Moondance<\/i>. Nancy&#8217;s delivery is sassy and smart with Ramsey keeping the pace, guiding the tune. The collaboration heats up even more on <i>Peel Me a Grape<\/i>, Ramsey and Nancy dance through this piece, infusing it with the sauciness of an old-school <i>Juke Joint<\/i>.<\/p>\n<p><i>Truthfully<\/i> is another smooth instrumental. Not <i>smooth Jazz<\/i> smooth but rather the kind of smooth that has kept Ramsey at the top of the game for so many years. <i>Velvet Night<\/i> is great trio music, again showcasing Ramsey&#8217;s piano finesse. <i>Did I Ever Really Live<\/i> is soft and tentative at first, growing in strength and intensity carrying you with it. Ramsey and Nancy&#8217;s rendition of the <b>Brenda Russel<\/b> classic <i>Piano In The Dark<\/i> is marvelous! This is the perfect tune for these two music veterans, combining musical fluidity with vocal intensity to brew up a track that&#8217;s entrancing and beautiful. Songs like this are why I love Nancy Wilson so much. <\/p>\n<p>  The Latin flavored <i>Tanquissimo<\/i> is a good follow up, changing the groove, bringing you back to earth then whisking you away again with Ramsey&#8217;s grand-sweeping piano lines. Ramsey finishes up the CD with the pensive <i>Time Peace<\/i>, bringing the entire journey to a close in a peaceful and tranquil environment. This is the first time in nearly 20 years that Ramsey Lewis and Nancy Wilson have recorded together, and it&#8217;s waaaaaaay overdue. Ramsey and Nancy will be touring together throughout the year, and you should try to make one of the shows&#8230; it&#8217;s history in the making! <\/p>\n<p>  For more information and <b>audio clips<\/b> visit the <a href=\"http:\/\/ramseylewis.com\" target=\"_blank\">Ramsey Lewis Web Site<\/a>.                <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/p>\n<p><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ramsey and NancyMeant To Be(Narada Jazz &#8211; 2002) by Carmen<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3474","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3474"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3474\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}