{"id":3462,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/tanglewood-jazz-festival-2005-tony-bennett\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"tanglewood-jazz-festival-2005-tony-bennett","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3462","title":{"rendered":"Tanglewood Jazz Festival 2005 &#8211; Tony Bennett"},"content":{"rendered":"<p><body leftmargin=\"6\" topmargin=\"4\" bgproperties=\"fixed\">  <?php require($DOCUMENT_ROOT . \"_body.htm\");   ??><img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/tonybennett.jpg\" align=\"Right\" border=\"2\" vspace=\"0\" width=\"100\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:18px\"><strong>Tanglewood Jazz Festival<br \/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\">Tony Bennett with the Count Basie Orchestra<\/font><\/strong><\/font>  <font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:11px\">  <br \/>September 3, 2005<br \/> by Matthew S. Robinson<\/p>\n<p><\/font>    <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\" color=\"#000000\">  Having made a few rounds with some of today&#8217;s finest female vocalists (Diana Krall, kd lang, etc.), Tony Bennett has more recently been going back to the bands that helped make his special style of music so special.  <\/p>\n<p>  After a successful stint with the Artie Shaw orchestra, Bennett took a swing with Count Basie&#8217;s band, led by 50-year Basie veteran Bill Hughes.  <\/p>\n<p>  The Orchestra got it started (appropriately enough) with a sonically uneven rendition of Gershwin&#8217;s &#8220;Strike Up the Band.&#8221; After the groovy punches of Ernie Wilkins&#8217; &#8220;Right On&#8221; (featuring Marshall McDonald&#8217;s fleet and fluid flute). &#8220;Down for the Count&#8221; was a knockout with Basie&#8217;s signature sound of 13 horns playing as one. After veteran bari-sax man John Williams&#8217; romantically resonant solo on Harry Carney&#8217;s &#8220;You&#8217;re in My Heart Again&#8221; and the rhythmic showcase of &#8220;Vine Street Rumble,&#8221; the band brought out vocalist Melba Joyce, who filled the shed with a Nancy Wilson-esque version of &#8220;All of Me&#8221; before the band took a &#8220;One O&#8217;Clock Jump&#8221; off stage.  <\/p>\n<p>  Minutes later, the Orchestra&#8217;s brass section returned, to be joined by pianist\/musical director Lee Muskier, guitarist Gray Sergeant, bassist Paul Langosch, former Basie drummer Harold Jones and, of course, the unstoppable Tony Bennett. Kicking off this unique Berkshire B&amp;B (i.e., Bennett &amp; Basie), Tony launched into a hopeful &#8220;Watch What Happens&#8221; and a quick-step through &#8220;The Best is Yet to Come&#8221; before settling down for a heartfelt &#8220;Maybe This Time&#8221; that featured Musiker on an extended solo break. Going back to his ethnic and geographical roots, Bennett offered a swing through &#8220;O Sole Mio&#8221; early on and then later sang &#8220;Just a Little Street&#8221; in honor of his hometown of Astoria, NY. It was Bennett&#8217;s financial tribute to the victims of Hurricane Katrina (to whom he offered the proceeds of the sold-out show), however, that made his tearful take on Charlie Chaplin&#8217;s &#8220;Smile&#8221; all the more affecting and elicited one of many standing ovations.<\/p>\n<p>    In an effort to return the set to its presiding theme of energetic fun, Bennett and his boys snapped into &#8220;I Got Rhythm&#8221; before Musiker made the sprawling lawns of Tanglewood intimate again with a solo of &#8220;I&#8217;ll Be Seeing You.&#8221; After a full band jam on &#8220;In a Mellow Tone,&#8221; Bennett reminded his jazz-leaning audience what usually makes Tanglewood so special with a violin-laced &#8220;Sophisticated Lady&#8221; before reminding all music fans that &#8220;It Don&#8217;t Mean a Thing (If it Ain&#8217;t got That Swing)&#8221; \u0096 a lesson he sent them dancing off with into the warm late Summer night.<\/p>\n<p><font size=\"1\">\u00a9 2005, M. S. Robinson, ARR<\/font>    <\/font>          <cfinclude template=\"adbanner.asp\"><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/cfinclude><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tanglewood Jazz FestivalTony Bennett with the Count Basie Orchestra September<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3462","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3462","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3462"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3462\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3462"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3462"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}