{"id":3458,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/john-mclaughlin-to-the-one\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"john-mclaughlin-to-the-one","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3458","title":{"rendered":"John McLaughlin &#8211; To the One"},"content":{"rendered":"<table width=\"100%\" cellpadding=\"5\">\n<tr>\n<td valign=\"top\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/TotheOne.jpg\" align=\"right\" border=\"1\" hspace=\"4\" \/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>John McLaughlin<\/strong><\/font><br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>To the One<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" color=\"000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\">  Abstract Logix &#8211; 2010<br \/><a href=\"http:\/\/soundsoftimelessjazz.com\" target=\"_blank\">Sounds of Timeless Jazz<\/a><\/p>\n<p><font size=\"2\" style=\"font-family:verdana; font-size:13px\" face=\"Verdana, Helvetica\"><\/p>\n<p>In his liner notes, McLaughlin talks about the sources of inspiration behind his new recording for Abstract Logix called <em>TO THE ONE<\/em>. \u00a0His perception of John Coltrane&#8217;s\u00a0 <em>A LOVE SUPREME<\/em>\u00a0 and his own endeavors toward &#8216;The One&#8217; over the past 40 years culminated in a powerful and coherent display of musicality and spirituality brought forth with some help from his new band called The 4<sup>th<\/sup>Dimension.<\/p>\n<p>\u00a0McLaughlin recharges his musicality and spiritual chops on six dynamic songs that are sure to dispel any questions regarding the GRAMMY- winning guitarist&#8217;s \u00a0incisive soloing and unsurpassed gift for melodic improvisation. Compositional devices clearly inspired by Coltrane are fused with elements of McLaughlin&#8217;s own multifaceted approach, all delivered with a group empathy and shared vision. McLaughlin&#8217;s electric guitar playing is the key that opens up the promising roles of his inspired bandmates. On the opener, &#8220;Discovery&#8221; John&#8217;s propels them forward with sterling chops that he successfully relaunches throughout the set. The song demonstrates how close his classic approach is to the newer styles of his collaborators &#8211; almost 40 years later! Mature and soulful, the master \u00a0captures the essence of \u00a0jazz\/rock sensibilities in an extended solo that is prominent with legitimate artistry. <\/p>\n<p>Leading an inspired band &#8211; Gary Husband on keyboards, Etienne M&#8217;Bappe on bass guitar, Mark Mondesir on drums &#8211; McLaughlin produces a vibrant singing tone on the guitar that gives listeners the full purview of his zest for playing and a renewed emphasis on his spirituality. The songs are especially interesting and as we have heard, McLaughlin&#8217;s ability as a guitarist and composer reveal that he is clearly still among the most impressive artists in music &#8211; ever. <em>TO THE ONE<\/em> is a paean that will give followers of McLaughlin&#8217;s music another level of respect and appreciation to look up to.<\/p>\n<p>Reprinted with permission of&#8230;<br \/><a href=\"http:\/\/www.soundsoftimelessjazz.com\/\" target=\"_blank\"><img decoding=\"async\" style=\"BORDER-BOTTOM: 0px solid; BORDER-LEFT: 0px solid; MARGIN: 0px; WIDTH: 450px; BORDER-TOP: 0px solid; BORDER-RIGHT: 0px solid\" alt=\"sotjlogo\" src=\"https:\/\/jazzusa.com\/..\/storypix\/sotjlogo.gif\" \/><\/a><\/p>\n<p><font><br \/><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/font><\/font><\/td>\n<\/tr>\n<\/table>\n<p><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>John McLaughlinTo the One Abstract Logix &#8211; 2010Sounds of Timeless<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3458","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3458"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3458\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}