{"id":3454,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/barbara-sfraga-timelessness-frozen-in-time\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"barbara-sfraga-timelessness-frozen-in-time","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3454","title":{"rendered":"Barbara Sfraga &#8211; Timelessness Frozen In Time"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"stories\/..\/storypix\/TimelessnessFrozenInTime.jpg\" height=\"120\" width=\"120\" align=\"left\" border=\"1\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Barbara Sfraga<\/strong><font size=\"2\"><br \/>and Search Center Quest<\/font><\/font>  <br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>Timelessness Frozen In Time <\/strong><\/font>  <font face=\"Verdana, Helvetica\" color=\"#000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\"><br \/>(Concord &#8211; 2006)<br \/> by S.H. Watkins, Sr.<\/p>\n<p><\/font>  <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\">  Barbara Sfraga is a throwback to the days of vocal jazz and improvisational creativity. Barbara&#8217;s musical focus evolved from church organist to rock keyboardist to jazz singer to voicist, giving her a rounded perspective on writing and producing tracks. <strong>Under the Moon<\/strong>, which was one of the good projects released by the now-defunct <em>A440 Records<\/em>, and <a href=\"https:\/\/jazzusa.com\/index.cfm?sector=stories&amp;page=whatathrill.asp\"><strong>What a Thrill<\/strong><\/a> (Naxos Jazz) had a few of her originals sprinkled throughout, but she was primarily known for her unconventional twists on jazz and pop standards (pops-terdizing jazz and jazz-terdizing pop, as she says.)<\/p>\n<p>  Her new CD blends her strong, beautiful voice with a new group of musicians and emphasizes her writing skills more than previous CDs. Joined by <strong>Christopher Dean Sullivan,  Michael T.A. Thompson, <a href=\"https:\/\/jazzusa.com\/index.cfm?sector=stories&amp;page=alwaysthere.asp\" target=\"_self\">Mala Waldron<\/a><\/strong> and <strong>Allen Won<\/strong> (collectively known as <em> Center Search Quest<\/em>), Sfraga and the group are genre-bending their way to a whole new sound.   All five musicians lend their creative &#8211; and sometimes their physical &#8211; voices to this project. There is even some three part harmony in the rocket-paced <strong>Cool Water<\/strong> which is as close to scatting as you can get without actually doing it. Chris Sullivan refers to himself as a <em>Bass Artisan<\/em> on the notes and you&#8217;ll feel what he means when you follow his bass moves and changes as they carry Barbara along on <em>Love Breaks Free<\/em>. <\/p>\n<p>  Her take on the <strong>Rufus<\/strong> classic <em>Tell Me Something Good<\/em> is 180\u00b0 from the original, filled with clever phrasing and some nice sax work by Allen Won, and even a little spoken word&#8230; another fine example of jazz-sterdizing an R&amp;B track. My favorite is <em>Tell Me<\/em>, both for the lyrical beauty and the musical groove. Somewhere between Pharaoh Sanders and Tania Maria, this track works a melodious magic on the listener carrying you off to wherever it is that Sfraga is holding your imagination.    It&#8217;s music without borders! With roots firmly planted in jazz and with the improvisational element always in place, Sfraga and CSQ are on a quest to leave no groove unturned. Dig it.        <cfinclude template=\"adbanner.asp\"><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/cfinclude><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Barbara Sfragaand Search Center Quest Timelessness Frozen In Time (Concord<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3454","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3454"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3454\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}