{"id":3403,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/john-pizzarelli-george-shearing-the-rare-delight-of-you\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"john-pizzarelli-george-shearing-the-rare-delight-of-you","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3403","title":{"rendered":"John Pizzarelli \/ George Shearing &#8211; The Rare Delight of You"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/theraredelightofyou.jpg\" height=\"78\" width=\"80\" hspace=\"4\" vspace=\"0\" border=\"1\" alt=\"John Pizzarelli \/ George Shearing\" align=\"left\"\/><b><font size=\"4\" style=\"font-face:verdana; font-size:14pt\" color=\"Blue\" face=\"Verdana, Helvetica\">John Pizzarelli \/ George Shearing<br \/><\/font><font color=\"#0000FF\" face=\"Verdana\" size=\"3\" style=\"font-face:verdana; font-size:12pt\">The Rare Delight of You<\/font><\/b><br \/><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:8pt\">(Telarc &#8211; 2002)<br \/> by John Barrett<br \/><\/font><br \/><font size=\"2\" style=\"font-face:verdana; font-size:10pt\" face=\"Verdana, Helvetica\" color=\"#000000\">  \tWhile he has a knack for picking great guitars (including Chuck Wayne and Wes Montgomery), George Shearing has rarely worked with a vocalist.  In John Pizzarelli he has both: he handles the lyrics in his endearing whisper, with the Shearing Quintet behind him.  &#8220;If Dreams Come True&#8221; has that vintage gleam, as vibes and piano walk together; George quotes &#8220;Wives and Lovers&#8221; in his brief solo.  He then chases John&#8217;s guitar for 16 bars; the words are cool, sly, and delightful.  (Not bad for a guy once called &#8220;a cross between Chet Baker and Alfalfa&#8221;!)  \t&#8220;This Lady&#8217;s in Love with You&#8221; gives room to Reg Schwager, Shearing&#8217;s regular guitarist; John sings it calm as George quotes &#8220;Beginning to See the Light&#8221;.  The vibes are glassy and glamorous &#8211; this is Ted Piltzecker, who always finds the right thing to say.  His rolling figure opens &#8220;Lulu&#8217;s Back in Town&#8221;: John devours the lyric, making it sly and sincere.  (And then he solos like Tiny Grimes!)  Romance shimmers through &#8220;Something to Remember You By&#8221;, crashing like friendly waves.  The voice is aching, the vibes are warm &#8211; and the feeling is strong.    <\/p>\n<p>  \t&#8220;Lost April&#8221; is a duet: the piano treads softly as John gives a heartfelt hum.  The chords are so lush it sounds like a choir; nothing is flashy, and everything is perfect.  The same could be said for &#8220;The Rare Delight&#8221;, a tune composed by Pizzarelli.  As George trickles in delicacy, John offers an elegant lyric, sung humbly, sung hopefully, sung well.  It&#8217;s proudly old-fashioned, and this sound won&#8217;t go out of style.  <\/p>\n<p>  Both guitars percolate through &#8220;Shine on Your Shoes&#8221;, skipping as gently as John&#8217;s voice.  Schwager&#8217;s solo is on the blunt side, while Pizzarelli slithers, following the contours of his scat.  He then says &#8220;Mister Shearing!&#8221; and George fills those eight bars with the grace you&#8217;d expect.  &#8220;Indian Summer&#8221; is laid-back and lavish, with Shearing in classical form.  (I mean that literally: his solo quotes &#8220;Lady Be Good&#8221; &#8230; and &#8220;Maid with the Flaxen Hair&#8221;!)  Piltzecker is gorgeous on &#8220;Be Careful It&#8217;s My Heart&#8221;, more so on &#8220;September in the Rain&#8221; &#8211; the pace becomes glacial, and the delicacy grows.  And Schwager is sweet on &#8220;Lucky to Be Me&#8221;, while the voice is lovably sincere.  In the songs and in this performance, you hear the joy of a bygone age.  This delight is always welcome, and we&#8217;re lucky to hear it in John Pizzarelli.  <\/font>    \t          <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>John Pizzarelli \/ George ShearingThe Rare Delight of You(Telarc &#8211;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3403","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3403"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3403\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}