{"id":3381,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/diana-krall-the-girl-in-the-other-room\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"diana-krall-the-girl-in-the-other-room","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3381","title":{"rendered":"Diana Krall  &#8211; The Girl in the Other Room"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/thegirlintheotherroom.jpg\" width=\"115\" height=\"115\" alt=\"Diana Krall\" align=\"left\" border=\"1\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Diana Krall <\/strong><\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:18px\" color=\"Blue\" face=\"Verdana, Helvetica\">  <strong>The Girl in the Other Room<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:11px\">(Verve &#8211; 2004) <br \/> by Paula Edelstein<\/font><br \/><font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\" color=\"#000000\">      Taking the top spots on the jazz charts, Diana Krall continues her hit-making ways with <i>The Girl in the Other Room<\/i>. The vocalist\/pianist takes on the compositions of Mose Allison, Joni Mitchell, Tom Waits and a few written by her man&#8230; namely <i>Elvis Costello<\/i>, on what is perhaps one of her most satisfying recordings to date. <br \/><img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/dianakrall.jpg\" align=\"right\" width=\"150\"\/><br \/>    This CD is smart, has a very different appeal than her previous releases. Assisting with the music are bassist <b>Christian McBride<\/b>, drummers <b>Terri Lynne Carrington<\/b> and <b>Peter Erskine<\/b> and guitarist <b>Anthony Hamilton<\/b>.   <\/p>\n<table align=\"left\" cellpadding=\"4\" cellspacing=\"1\" width=\"50\" bgcolor=\"maroon\">\n<tr>\n<td align=\"center\" bgcolor=\"eeeedd\"><font size=\"1\" style=\"font-face:arial; font-size:10px\" color=\"maroon\">Listen to <b>Temptation<\/b> using <i><a href=\"http:\/\/real.com\" target=\"_blank\">RealAudio<\/a><\/i>.<\/font><br \/><embed src=\"audio\/Temptation.ram\" type=\"audio\/x-pn-realaudio-plugin\" height=\"44\" width=\"125\" console=\"mysound1\" controls=\"ControlPanel,StatusBar\"\/><\/td>\n<\/tr>\n<\/table>\n<p>  Most notably, the CD features what is seemingly a more ardent Diana Krall on such great songs as &#8220;Temptation,&#8221; &#8220;I&#8217;m Coming Through,&#8221; and &#8220;Narrow Daylight.&#8221;  Her voice is as smoky and sensuous as ever. For those into late night antics, you can still get that same love and feeling just by listening to that <i>Girl In The Other Room<\/i>!<\/p>\n<p>  In conjunction with her new release, Diana appeared last month on both the Tonight Show with Jay Leno and The Late Late Show with Craig Kilborn. For a listing of her upcoming performances visit the <a href=\"http:\/\/dianakrall.com\/appearances.aspx\" target=\"_blank\">Diana Krall Appearance Schedule.<\/a>      <\/p>\n<p align=\"center\"> <font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\" style=\"font-size:14px\">     <br \/>    Reprinted with permission of&#8230;<br \/><\/font><font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\" style=\"font-size:14px\">     <a href=\"http:\/\/www.soundsoftimelessjazz.com\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/sotjlogo.gif\" width=\"540\" height=\"100\" border=\"0\"\/><\/a>     <\/font><\/p>\n<p>        <cfinclude template=\"adbanner.asp\"><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/cfinclude><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Diana Krall The Girl in the Other Room(Verve &#8211; 2004)<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3381","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3381","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3381"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3381\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}