{"id":3358,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/dianne-reeves-the-best-of-dianne-reeves\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"dianne-reeves-the-best-of-dianne-reeves","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3358","title":{"rendered":"Dianne Reeves &#8211; The Best of Dianne Reeves"},"content":{"rendered":"<div align=\"right\"><b><font size=\"4\" style=\"font-face:verdana; font-size:14pt\" color=\"Blue\" face=\"Verdana, Helvetica\">Dianne Reeves<br \/><\/font><font color=\"#0000FF\" face=\"Verdana\" size=\"3\" style=\"font-face:verdana; font-size:12pt\">The Best of Dianne Reeves<\/font><\/b><br \/><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:8pt\" color=\"black\">(Blue Note &#8211; 2002)<br \/> by Carmen Miller<\/font>  <\/p>\n<p align=\"left\"><font size=\"2\" style=\"font-face:verdana; font-size:10pt\" face=\"Verdana, Helvetica\" color=\"000000\">  From 1987 to 2001 Dianne Reeves amazing contralto kept her among the elite jazz singers in the industry. This Blue Note compilation captures some of her best works of this period, beginning with one of her biggest popular hits, <i>Better Days<\/i>. Dianne has a way of <i>moving<\/i> you with her songs, just listen to her moving rendition of Joni Mitchell&#8217;s <i>River<\/i>; and her take on the classic <i>Misty<\/i> would make Sara Vaughn teary but proud (both of these are also first-time U.S. releases).<\/p>\n<p>  The love she feels for her music is very apparent on her version of Mongo Santamaria&#8217;s <i>Afro-Blue<\/i> which is delivered in a very funky vein. <i>Testify<\/i> waxes a little more mystical, or spiritual if you will, as does the gospel-tinged <i>Endangered Species<\/i> which is reminiscent of the old slave songs. <i>You Taught My Heart To Sing<\/i> is a McCoy Tyner piece that inspired the last lyric ever written by the great Sammy Cohn, and Dianne&#8217;s first-ever recording does it justice.<\/p>\n<p>  One of keyboardists Billy Childs, Mulgrew Miller, or George Duke plays on each of the included compositions, and 9 of the 13 were also produced by George Duke. There is no lack of talent or beauty in this lovely aural history of Dianne Reeves recent career and one has only to listen to appreciate it.    <\/p>\n<p><\/font><\/p>\n<p>                <center>      <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/center><\/div>\n<p><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dianne ReevesThe Best of Dianne Reeves(Blue Note &#8211; 2002) by<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3358","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3358"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3358\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}