{"id":3351,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/nicole-henry-the-very-thought-of-you\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"nicole-henry-the-very-thought-of-you","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3351","title":{"rendered":"Nicole Henry &#8211; The Very Thought of You"},"content":{"rendered":"<table width=\"100%\" cellpadding=\"5\">\n<tr>\n<td valign=\"top\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/The_Very_Thought_of_You.jpg\" align=\"right\" border=\"1\" hspace=\"4\" \/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Nicole Henry<\/strong><\/font><br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>The Very Thought of You<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" color=\"000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\">  Banister &#8211; 2008<br \/><a href=\"http:\/\/soundsoftimelessjazz.com\/\" target=\"_blank\">Sounds of Timeless Jazz<\/a><\/p>\n<p><font size=\"2\" style=\"font-family:verdana; font-size:13px\" face=\"Verdana, Helvetica\"><\/p>\n<p style=\"MARGIN: 0in 0in 0pt\" editor_id=\"mce_editor_0\">Nicole Henry will definitely captivate you with her third CD called THE VERY THOUGHT OF YOU. Influenced by jazz, pop, and soul, the Miami resident gives a fresh feeling to songs from the Great American Songbook. <\/p>\n<p style=\"MARGIN: 0in 0in 0pt\" editor_id=\"mce_editor_0\">\u00a0<\/p>\n<p style=\"MARGIN: 0in 0in 0pt\" editor_id=\"mce_editor_0\">Opening with &#8220;That&#8217;s All&#8221; the award-winning Ms. Henry immediately assures her listeners that she can swing, re-interpret and move around inside a melody with the greatest of ease. She gives &#8220;Almost Like Being In Love,&#8221; a long-awaited extreme makeover that will have you bopping in your chair. With a strong, resonant voice that may remind you of Stephanie Mills&#8217;, Nicole Henry contributes several exciting elements to the title track that listeners may not have heard in previous renditions by other vocalists. <\/p>\n<p style=\"MARGIN: 0in 0in 0pt\" editor_id=\"mce_editor_0\">\u00a0<\/p>\n<p style=\"MARGIN: 0in 0in 0pt\" editor_id=\"mce_editor_0\">Hers is ripe with elongated phrases, soulful harmonic progressions, and a captivating three-octave range. On Jobim&#8217;s &#8220;Waters of March,&#8221; she&#8217;s beautiful, buoyant and gifted with an ability to sing over a well-known samba rhythm. <\/p>\n<p style=\"MARGIN: 0in 0in 0pt\" editor_id=\"mce_editor_0\">\u00a0<\/p>\n<p style=\"MARGIN: 0in 0in 0pt\" editor_id=\"mce_editor_0\">Reprinted with permission of&#8230;<br \/><a href=\"http:\/\/www.soundsoftimelessjazz.com\/\" target=\"_blank\"><img decoding=\"async\" style=\"BORDER-RIGHT: 0px solid; BORDER-TOP: 0px solid; MARGIN: 0px; BORDER-LEFT: 0px solid; WIDTH: 450px; BORDER-BOTTOM: 0px solid; HEIGHT: 60px\" alt=\"sotjlogo\" src=\"https:\/\/jazzusa.com\/..\/storypix\/sotjlogo.gif\" \/><\/a><\/p>\n<p><font><br \/><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/font><\/font><\/td>\n<\/tr>\n<\/table>\n<p><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicole HenryThe Very Thought of You Banister &#8211; 2008Sounds of<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3351","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3351"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3351\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}