{"id":3277,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/george-benson-live-at-ravinia\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"george-benson-live-at-ravinia","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3277","title":{"rendered":"George Benson &#8211; Live at Ravinia"},"content":{"rendered":"<p align=\"left\">  <img decoding=\"async\" border=\"0\" src=\"https:\/\/jazzusa.com\/storypix\/georgebenson.gif\" width=\"100\" align=\"left\" hspace=\"4\"\/><font size=\"2\" style=\"font-face:verdana; font-size:10pt\" color=\"Blue\" face=\"Verdana,Helvetica,\">  Live at Ravinia August 14, 2001<\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:14pt\" color=\"Blue\" face=\"Verdana, Helvetica\">  George Benson<\/font><br \/><font size=\"1\" face=\"Verdana, Helvetica\">   by Carol Ray  <\/font><\/p>\n<p><font face=\"Verdana\" size=\"2\">   After a five year absence, George Benson returned triumphant to an adoring   crowd at Ravinia Festival, just north of Chicago, IL.  Ravinia, one of the   best outdoor venues in the country, was the perfect setting for Benson&#8217;s   show.  Band members, lighting effects, guitar, singing &#8211; all were at the   level George&#8217;s fans expect &#8211; excellence plus.  And George&#8217;s audience (packed   pavillion, no grass to be seen on the lawn!) appreciated every minute of his   show.  <\/p>\n<p>    Reviewing a George Benson live performance is like reviewing a spectacular   sunset &#8211; after you say &#8220;perfection&#8221; what&#8217;s left?  So suffice it to say that   from his opening number &#8220;Nature Boy&#8221; to his closing encore &#8220;On Broadway&#8221;   (given an updated funky sound since his last performance at Ravinia), George   was in total control of an audience that, half-way through the show, was   crowded up front at the stage as if they were at a rock concert.  Being a   jazz icon doesn&#8217;t get in George&#8217;s way as he sings, plays and jokes with the   audience as if it was his first concert date ever and he was thrilled to be   there.  <\/p>\n<p>    Opening for Benson was Nneena Freelon, three time Grammy nominee for vocals.   Unfortunately she never really connected with the audience and left this   reviewer with the feeling that she was in the wrong venue.  Her set was more   appropriate for a lounge environment, although when she joined Benson during   his set for a vocal scat &#8220;argument&#8221; she was effective.  <\/p>\n<p>    George&#8217;s band was as tight as always, with several regular members (music   director and pianist Dave Garfield; Michael O&#8217;Neill, guitar and vocals;   Stanley Banks, bass; Thom Hall, keyboards).  New addition Estaire Godinez on   percussion and vocals added a slightly Latin sound and welcome female   presence on stage.  <\/p>\n<p>    But George&#8217;s acknowledgement of drummer Michael White, a Chicago native,   showed the true measure of the man.  <\/p>\n<p>    Secure and gracious in his own talent and stardom, Benson left the stage   after his encore number &#8220;On Broadway&#8221; followed by a darkening of the stage   and departure of the remaining band members&#8230;all except White who, with his   drums up on risers and in bright white spotlights, performed a two minute   drum solo for his local friends, family and fans.  If that doesn&#8217;t say it   all about George Benson &#8211; genius, gentleman, guitarist extraordinaire &#8211; then   nothing does.  <\/p>\n<p>   Don&#8217;t wait another five years before coming back to Ravinia, George &#8211; I   think Chicago proved we can&#8217;t do without you!!!!  <\/font><\/p>\n<p align=\"center\"><cfinclude template=\"adbanner.asp\"\/><\/p>\n<p align=\"center\">\n<p>    <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Live at Ravinia August 14, 2001 George Benson by Carol<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3277","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3277"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3277\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}