{"id":3172,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/chris-graham-trio-after-birth-of-cool-2\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"chris-graham-trio-after-birth-of-cool-2","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3172","title":{"rendered":"Chris Graham Trio &#8211; After-Birth of Cool"},"content":{"rendered":"<table width=\"100%\" cellpadding=\"5\">\n<tr>\n<td valign=\"top\">  <img decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/After_birth_of_cool.jpg\" align=\"right\" border=\"1\" hspace=\"4\" \/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Chris Graham Trio<\/strong><\/font><br \/><font size=\"2\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:14px\"><strong>After-Birth of Cool<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" color=\"000000\" size=\"1\" style=\"font-face:verdana; font-size:11px\"> Chris Graham Trio &#8211; 2010<\/p>\n<p><font size=\"2\" style=\"font-family:verdana; font-size:13px\" face=\"Verdana, Helvetica\"><\/p>\n<p>After-Birth of Cool is bursting with texturally rich compositions and technically evocative playing. The Chris Graham Trio has a telekinetic communication underpinning each adventurous track. What is so special about this vibraphone led ensemble, is the technique of Chris Graham in particular. He has created a signature sound that is stylistically not like any other vibraphonist in the marketplace to date. Chris has developed a &#8220;Five Finger&#8221; technique, where he grips 5 mallets, allowing him to bend melodic notes while still maintaining chord functions. This signature sound is so uniquely original that it brings added layers to Graham&#8217;s already well-craftedcompositions.<\/p>\n<p>The rhythm section of Alex Austin (bass) and Oliver Hunt (drums), is just the right element needed to compliment and propel Chris&#8217; ideas<br \/>to their fullest potential. Lastly, After-Birth of Cool was recorded with no overdubs, furthering the emotive and spontaneous performances contained within this organic and unforced natural sounding CD.<\/p>\n<p>Chris has worked as a sideman with recording artists such as: Keri Johnsrud on her 2009 album All Blue, with Johathon Bass in 2008 on his album Shapes and Colors, with Section Four in 2007 on a self-titled album called Section Four and with Allan Beeson on First Time Out, in 2005. Chris&#8217;s own album, After Birth of Cool will be released in the summer of 2010. <\/p>\n<p>Chris is a well respected musician in the Chicago region, he has worked at Chicago recording studios such as: Rax Trax, The Vault, Red Brick, and plays jazz venues such as: the Jazz Showcase, the Green Mill, Andy&#8217;s and the Double Door. Chris is the only vibraphonist who has mastered what he calls the &#8220;Graham&#8221; five-mallet grip. Chris is able to hold all five mallets, which allows Chris&#8217;s music to have constant chordal function, while painting the melody lines with the added benefit to bend any note at anytime. <\/p>\n<p>When circumstances call for it, Chris can maintain the five-mallet grip while picking up a cello bow to create an ethereal sound.<\/p>\n<p><font><br \/><?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/font><\/font><\/td>\n<\/tr>\n<\/table>\n<p><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chris Graham TrioAfter-Birth of Cool Chris Graham Trio &#8211; 2010<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3172","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3172"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3172\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}