{"id":3138,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/smooth-africa-ii-exploring-the-soul\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"smooth-africa-ii-exploring-the-soul","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3138","title":{"rendered":"Smooth Africa II &#8211; Exploring The Soul"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/smoothafricaII.jpg\" width=\"120\" height=\"120\" alt=\"Smooth Africa II\" align=\"left\" border=\"1\"\/><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>Smooth Africa II<\/strong><\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:18px\" color=\"Blue\" face=\"Verdana, Helvetica\">  <strong>Exploring The Soul<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:11px\">(Heads Up &#8211; 2003)<!--- <br \/> by Sidney Bechet-Mandela ---><\/p>\n<p><\/font>  <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\" color=\"#000000\">  Smooth Africa II: Exploring the Soul is a sophisticated follow-up to the internationally recognized Smooth Africa album of 2000. Some of Southern Africa&#8217;s finest vocalists and instrumentalists, along with contemporary jazz icons from America, have come together on this ambitious collaboration. Under the guidance of Heads Up President Dave Love, Smooth Africa II: Exploring the Soul features such all-stars as Ladysmith Black Mambazo, Jimmy Dludlu, Spyro Gyra, Andy Narell, Prince Kupi, Gloria Bosman, Joe McBride, and 2003 South African Music Award winners; Shaluza Max and Moses Khumalo.  <\/p>\n<p>  A visit to South Africa in 1998 with keyboardist McBride (the first American to ever perform at Cape Town&#8217;s annual Jazzathon) provided Love with the initial inspiration to debut Smooth Africa. &#8220;I had fallen in love with the entire country, its people, its culture,&#8221; says Love. &#8220;But mostly I was amazed by the talented local musicians who played with Joe, and felt they needed to be heard outside of South Africa.&#8221;  <\/p>\n<p>  The twelve selections on Smooth Africa II: Exploring the Soul are as varied and exciting as the performers. The upbeat opener, &#8220;Walk of Life,&#8221; featuring the Soweto String Quartet spotlights the acclaimed guitarist Jimmy Dludlu, whom the legendary Hugh Masekela once compared to Charlie Christian or Django Reinhardt. The world&#8217;s best-known African group, Ladysmith Black Mambazo, tackles &#8220;Uniting Nations Together.&#8221; Remixed by D&#8217;Influence, Joseph Shabala&#8217;s composition is based on a traditional Zulu song about national unity.   <\/p>\n<p>  Up-and-coming guitarist Allou April (who performed with McBride at Jazzathon) sings his local Cape Town hit &#8220;Bringing Joy.&#8221; Shaluza Max, the recent winner of a the SAMA for Best Zulu Album, is a spirited performer whose vocals are well served by the driving rhythms of &#8220;Mangase.&#8221; The guitarist, vocalist and composer Oliver Mtukudzi, is one of Southern Africa&#8217;s greatest stars, contributes &#8220;Neria,&#8221; from his soundtrack written for the internationally acclaimed feature film from Zimbabwe of the same name.  <\/p>\n<p>  Elsewhere the program runs from guitarist Prince Kupi&#8217;s arrangement of the traditional folk song &#8220;Botsotsi,&#8221; through contemporary jazz legend&#8217;s Spyro Gyra&#8217;s &#8220;Cape Town Love&#8221; and steel pan master Andy Narell&#8217;s &#8220;Punch,&#8221; to saxophonist Moses Khumalo&#8217;s gospel-influenced &#8220;Hymn for Taiwa&#8221; and vocalist Gloria Bosman&#8217;s lilting &#8220;Umuntu Wakho.&#8221; Smooth Africa II: Exploring the Soul ends with &#8220;Aderley Street&#8221; and &#8220;Yebo,&#8221; a pair of Joe McBride compositions featuring South Africans Gerald Stockton on bass and Mike Drake on drums.   <\/p>\n<p>  &#8220;I&#8217;m extremely pleased with how this project turned out,&#8221; says Love. &#8220;Traveling often to South Africa has been such a positive experience for me. Even after nine visits, I&#8217;m still looking forward to exploring more music. With this new album I hope to highlight more top-notch players, and bring new audiences to their unique sounds.&#8221;  <\/p>\n<p>  This collection conveys the spirit of African music as a living tradition, and the artists manage to be versatile without losing their own identity. With its contemporary spirit nudging the music out of a purely African box, Smooth Africa II: Exploring the Soul is a must for pop and jazz fans, as well as aficionados of world music.   <\/p>\n<p align=\"center\"> <font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\" style=\"font-size:14px\">     <br \/>    Reprinted with permission of&#8230;<br \/><\/font><font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\" style=\"font-size:14px\">     <a href=\"http:\/\/www.soundsoftimelessjazz.com\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/sotjlogo.gif\" width=\"540\" height=\"100\" border=\"0\"\/><\/a>     <\/font><\/p>\n<p>            <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Smooth Africa II Exploring The Soul(Heads Up &#8211; 2003) Smooth<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3138","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3138"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3138\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}