{"id":3123,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/stefon-harris-a-cloud-of-red-dust\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"stefon-harris-a-cloud-of-red-dust","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3123","title":{"rendered":"Stefon Harris &#8211; A cloud of red dust"},"content":{"rendered":"<p align=\"left\"><font face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/storypix\/acloudofreddust.jpg\" width=\"100\" height=\"101\" border=\"0\" align=\"left\" hspace=\"3\"\/><\/font><font face=\"Verdana, Helvetica\" size=\"4\" color=\"Blue\">A Cloud of Red Dust<\/font><font face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\"><br \/><\/font><font face=\"Verdana, Helvetica\" color=\"Blue\" size=\"3\" style=\"font-face:verdana; font-size:12pt\">Stefon Harris<\/font><font face=\"Verdana, Helvetica\" size=\"2\" color=\"Blue\"><br \/><\/font><font face=\"Verdana\" size=\"1\" style=\"font-face:verdana; font-size:8pt\">by Fred Jung<\/font><font face=\"Verdana, Helvetica\" size=\"2\" style=\"font-face:verdana; font-size:10pt\"><\/p>\n<p><\/font><font face=\"Verdana, Helvetica\" color=\"Black\" size=\"2\" style=\"font-face:verdana; font-size:10pt\">At first glance, this  25-year-old vibraphonist looks like he would be more at home in a GAP commercial and not  on stage with Joe Henderson, but Stefon Harris is not one to be taken lightly. A graduate  of the Manhattan School of Music, the New York native has raised eyebrows touring with  Wynton Marsalis, Steve Turre, Steve Coleman, Cassandra Wilson, and Greg Osby. Harris is  the standout on Henderson&#8217;s Porgy and Bess release and single handily carries Charlie  Hunter&#8217;s latest Return of the Candyman. With the aid of pianists Mulgrew Miller and Jason  Moran, bassist Dwayne Burno, drummer Alvester Garnett, saxophonist Steve Wilson and the  before mentioned Turre and Osby, Harris unveils his Blue Note debut A Cloud of Red Dust. <\/p>\n<p>  &#8220;Sophistry&#8221; is an uptempo cooker that has an abundance of energy and spark. The  camaraderie between Osby and the young Harris, prodded on by Garnett and Burno makes for  attractive possibilities. Wilson&#8217;s probing soprano lines and Turre&#8217;s melancholy trombone  gives weight to the polished ballad &#8220;In the Garden of Thought.&#8221; Harris&#8217;s  vibraphone creativity lets the story slowly unfold for vocalist June Gardner, a glamorous  songbird. Harris&#8217;s inspired level of playing does not decline for the title track &#8220;A  Cloud of Red Dust.&#8221; The vibist receives enthusiastic support from Miller, Osby, and  company, but it is his intellectual, grand themes and his impassioned playing that win the  listener over. <\/p>\n<p>  Harris knows the musical terrain and the people he has surrounded himself with are  pointing him in all the right directions. A Cloud of Red Dust is the first installment of  what will certainly be a brilliant career. <\/font><\/p>\n<p align=\"center\"><font face=\"Verdana\" size=\"2\" style=\"font-face:verdana; font-size:10pt\">Visit the <a href=\"http:\/\/www.bluenote.com\/stefonharris\/\" target=\"_blank\">Stefon Harris Website<\/a><\/font><\/p>\n<p>              <center>      <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/center><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Cloud of Red DustStefon Harrisby Fred Jung At first<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3123","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3123"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3123\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}