{"id":3119,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/steve-rochinski-a-bird-in-hand\/"},"modified":"2012-07-16T23:18:22","modified_gmt":"2012-07-17T06:18:22","slug":"steve-rochinski-a-bird-in-hand","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3119","title":{"rendered":"Steve Rochinski &#8211; A Bird in Hand"},"content":{"rendered":"<p><img decoding=\"async\" style=\"border: 0px;\" src=\"https:\/\/jazzusa.com\/storypix\/abirdinthehand.jpg\" alt=\"A Bird In The Hand\" align=\"right\" border=\"0\" \/><span style=\"color: blue; font-family: Verdana, Helvetica; font-size: large;\"> Steve Rochinski<\/span><br \/>\n<span style=\"color: blue; font-family: Verdana, Helvetica; font-size: small;\"> <strong>A Bird in Hand<\/strong><\/span><br \/>\n<span style=\"font-size: xx-small; color: #000000; font-family: Verdana, Helvetica;\"> Jardis<br \/>\nJohn Barrett<\/span><\/p>\n<p align=\"left\"><span style=\"font-family: Verdana, helvetica; font-size: small;\"> Tiny notes in soft focus. On a stark background strings creep, thoughtful and light &#8211; Bill Evans with a guitar, sort of. You hear this on &#8220;Beautiful Love&#8221;, a tune Evans did: phrases exchanged with Scott Lee, who sounds like a second guitar. The interplay deepens, it slowly gets louder, and lastly the theme &#8211;more dream than song, and a sweet one. There&#8217;s more where that came from: floating sound and quiet moods. Elusive as a bird, and &#8211; sometimes &#8211; it soars.<\/span><\/p>\n<p>&#8220;Monk&#8217;s Dream&#8221; picks up the pace, with some Monk chords from Steve! (Lee&#8217;s there too; he&#8217;s good and snaky.) Andy Summers tried this on his GREEN CHIMNEYS album; Steve does it better. Some tracks add piano, which muddies the water. (It&#8217;s hard to hear Lee, and that&#8217;s a bad thing.) The best quartet is &#8220;Tina&#8221;, with an icy-cool line (written by Tal Farlow, a teacher of Steve.) Here he turns active: a liquid tone with nifty sliding. The dancing is fine and Bruce Thomas&#8217; comps are a joy. &#8220;Bird in the Hand&#8221; goes dub-crazy, and we get three Steves (one plays &#8220;Billie&#8217;s Bounce&#8221;!) A different sound, if a bit cluttered. By and large, the trios are best: they dig deep, and that&#8217;s where Steve excels.<\/p>\n<p>&#8220;Get Out of Town&#8221; is literal; Steve goes to Brazil! As the samba ticks by, he carries on like Wes, then plucks high for echoing chimes. Thomas is nice, and Lee goes Spanish on his turn. &#8220;They Didn&#8217;t Believe&#8221; swings easy &#8211; friendly notes, with a little snap. The best trio, and some needed sunshine. &#8220;Stardust&#8221; twinkles: Steve is alone, and the sound is delicate. Lee joins in; it becomes &#8220;Body and Soul&#8221; &#8212; a seamless transition, with warm sparkles. And now it gets real soft: &#8220;Powder Your Face&#8221;, written by his grandfather 55 years ago, wrapped in springy chords. The tenderness here fits the quietude elsewhere; the warmth in some tunes balances the angularity of other. A gentler guitar than most, but at his best (&#8220;Believe&#8221;, &#8220;Stardust&#8221;) this bird sings!<\/p>\n<p><strong>Songs:<\/strong> Beautiful Love; Monk&#8217;s Dream; House Party Starting; A Bird in the Hand; &#8216;Round Midnight; Tina; Go Little Boat; Get Out of Town; They Didn&#8217;t Believe Me; Hassan&#8217;s Dream; Stardust\/Body &amp; Soul; Powder Your Face With Sunshine.<\/p>\n<p><strong>Musicians:<\/strong> Steve Rochinski (guitar); Bruce Thomas (piano); Scott Lee (bass); Joe Hunt (drums); Catherine Birrer (percussion on &#8220;Get Out of Town&#8221;).<\/p>\n<p>For more info, contact: <a href=\"http:\/\/jardis.de\">Jardis Music<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Steve Rochinski A Bird in Hand Jardis John Barrett Tiny<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3119","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3119"}],"version-history":[{"count":5,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3119\/revisions"}],"predecessor-version":[{"id":8211,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3119\/revisions\/8211"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}