{"id":3117,"date":"2014-01-01T22:21:10","date_gmt":"2014-01-01T22:21:10","guid":{"rendered":"http:\/\/jazzusa.com\/the-mark-kleinhaut-trio-a-balance-of-light\/"},"modified":"2011-01-01T22:21:10","modified_gmt":"2011-01-01T22:21:10","slug":"the-mark-kleinhaut-trio-a-balance-of-light","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=3117","title":{"rendered":"The Mark Kleinhaut Trio &#8211; A Balance Of Light"},"content":{"rendered":"<div align=\"right\"><font size=\"3\" color=\"Blue\" face=\"Verdana\" style=\"font-face:verdana; font-size:16px\"><strong>The Mark Kleinhaut Trio<\/strong><\/font><br \/><font size=\"4\" style=\"font-face:verdana; font-size:18px\" color=\"Blue\" face=\"Verdana, Helvetica\">  <strong>A Balance Of Light<\/strong><\/font><br \/><font face=\"Verdana, Helvetica\" size=\"1\" style=\"font-face:verdana; font-size:10px\">(Invisible Music &#8211; 2003)<br \/> by Paula Edelstein<\/p>\n<p><\/font><\/div>\n<p>  <font size=\"2\" style=\"font-face:verdana; font-size:13px\" face=\"Verdana, Helvetica\" color=\"#000000\">  Guitarist\/composer Mark Kleinhaut composed eight new songs for A BALANCE OF LIGHT and as the story goes, Kleinhaut was inspired to write these songs for his upcoming session with alto-saxophonist Bobby Watson while residing on the coastal barrier island of Cape Hatteras. Kleinhaut offers his listeners a solid, jazz performance that you&#8217;ll appreciate from start to finish. &#8220;Ferdinand and Isabelle&#8221; opens the set with prominent solos from Watson. There is a joyful vibe to the music which may (or may not) be a reference to the Spanish royalty that financed many a conquistador&#8217;s expedition to the colonies along the Atlantic coast. The versatility of this recording is astounding! &#8220;Erikita&#8221; is a breathy, romantic ballad that oozes with sensuality while &#8220;Start It Up&#8221; finds Watson in the hard-bop mode that many of his fans have come to associate him with as a result of his many collaborations with Art Blakey and The Jazz Messengers, Horizon, Curtis Lundy and George Coleman. Mark Kleinhaut&#8217;s compositional integrity is clearly apparent while his highly evolved musical vocabulary on the guitar is the perfect foil for Watson&#8217;s saxophonics. His tones are clean and his phrasings are melodic and beautiful. A BALANCE OF LIGHT is a near perfect program of jazz compositions offering essential jazz elements, colors, forms and in-the-moment improvisations that feed the energy between Kleinhaut, Watson, Jim Lyden on bass and Les Harris, Jr. on drums.<\/p>\n<p align=\"center\"> <font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\" style=\"font-size:14px\">    <br \/>   Reprinted with permission of&#8230;<br \/><\/font><font size=\"2\" face=\"Verdana, Helvetica\" color=\"#000000\" style=\"font-size:14px\">    <a href=\"http:\/\/www.soundsoftimelessjazz.com\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jazzusa.com\/sotjlogo.gif\" width=\"540\" height=\"100\" border=\"0\"\/><\/a>    <\/font><\/p>\n<p>            <?php require($DOCUMENT_ROOT . \"_footer.htm\");   ??><\/font><\/body><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Mark Kleinhaut Trio A Balance Of Light(Invisible Music &#8211;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-3117","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3117"}],"version-history":[{"count":0,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/3117\/revisions"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}