{"id":10880,"date":"2016-09-21T00:01:20","date_gmt":"2016-09-21T07:01:20","guid":{"rendered":"http:\/\/jazzusa.com\/?p=10880"},"modified":"2018-10-25T20:23:57","modified_gmt":"2018-10-26T03:23:57","slug":"brandon-bernstein-but-beautiful","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=10880","title":{"rendered":"Brandon Bernstein &#8211; But Beautiful"},"content":{"rendered":"<p><strong>But Beautiful<\/strong>\u00a0is Brandon Bernstein\u2019s debut CD as a bandleader. The CD features \u00a0ten jazz standards performed by Brandon on guitar, legendary bassist Putter Smith (formally with Thelonious Monk) and one of Los Angeles finest drummers, Kendall Kay. On <em>But Beautiful<\/em> the trio takes standards we all know, and love and reinterpret them, infusing the tracks with their own unique feel.<br \/>\n<iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/uyslVtmFPqw?feature=player_detailpage\" height=\"300\" width=\"480\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>&nbsp;<br \/>\n<A Href=\"http:\/\/astore.amazon.com\/jazzusa-20\/detail\/B00CV8FWHA\" target=\"_blank\"><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-10898\" alt=\"amazon\" src=\"https:\/\/jazzusa.com\/wp-content\/uploads\/2013\/07\/amazon-100x53.jpg\" width=\"100\" height=\"53\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>But Beautiful\u00a0is Brandon Bernstein\u2019s debut CD as a bandleader. The<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10880","post","type-post","status-publish","format-standard","hentry","category-jazz_reviews"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10880"}],"version-history":[{"count":8,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10880\/revisions"}],"predecessor-version":[{"id":10928,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10880\/revisions\/10928"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}