{"id":10828,"date":"2016-09-03T00:01:02","date_gmt":"2016-09-03T07:01:02","guid":{"rendered":"http:\/\/jazzusa.com\/?p=10828"},"modified":"2018-10-25T20:24:00","modified_gmt":"2018-10-26T03:24:00","slug":"dave-koz-and-friends-summer-horns","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=10828","title":{"rendered":"Dave Koz and Friends &#8211; Summer Horns"},"content":{"rendered":"<p>Dave Koz is joined by a front line of top-notch horn players (Mindi Abair, Richard Elliot &amp; Gerald Albright) to re-interpret an array of powerhouse horn-heavy songs made famous by Tower of Power, Chicago, EW&amp;F, James Brown, Sly &amp; The Family Stone, Ronnie Laws, Blood Sweat &amp; Tears and others.<\/p>\n<p>Three of the world&#8217;s best horn arrangers are contributing their talents: Greg Adams (Tower of Power) and Tom Scott. Topping it off is a sax-only rendition of &#8220;Take Five&#8221; with Gordon Goodwin offering his arrangement to the quartet.<\/p>\n<p><iframe loading=\"lazy\" width=\"480\" height=\"300\" src=\"http:\/\/www.youtube.com\/embed\/fNLslt89Pb4?feature=player_detailpage\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dave Koz is joined by a front line of top-notch<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10828","post","type-post","status-publish","format-standard","hentry","category-jazz_reviews"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10828"}],"version-history":[{"count":3,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10828\/revisions"}],"predecessor-version":[{"id":11048,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10828\/revisions\/11048"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}