{"id":10823,"date":"2016-09-01T00:01:17","date_gmt":"2016-09-01T07:01:17","guid":{"rendered":"http:\/\/jazzusa.com\/?p=10823"},"modified":"2016-09-02T11:58:51","modified_gmt":"2016-09-02T18:58:51","slug":"george-benson","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=10823","title":{"rendered":"George Benson &#8211; Inspiration (A Tribute To Nat King Cole)"},"content":{"rendered":"<p>After four years of touring and developing &#8220;An Unforgettable Tribute to Nat King Cole,&#8221; the legendary George Benson makes his most inspired album: Inspiration: A Tribute to Nat King Cole. The recording is one of the most meaningful of Benson&#8217;s career and is a testament to the spirit of Cole&#8217;s timeless body of work.<\/p>\n<p><iframe loading=\"lazy\" width=\"480\" height=\"300\" src=\"http:\/\/www.youtube.com\/embed\/035ycun08Fw?feature=player_detailpage\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Benson&#8217;s heartfelt renditions of some of Cole&#8217;s greatest songs with Nelson Riddle arrangements and the 42-piece Henry Mancini Institute Orchestra are complemented by duets with Tony Award winner Idina Menzel and rising star Judith Hill, along with a special collaboration with multi-GRAMMY and Pulitzer Prize-winning trumpeter Wynton Marsalis.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After four years of touring and developing &#8220;An Unforgettable Tribute<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-10823","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10823"}],"version-history":[{"count":5,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10823\/revisions"}],"predecessor-version":[{"id":10931,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10823\/revisions\/10931"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}