{"id":10499,"date":"2016-06-11T00:00:08","date_gmt":"2016-06-11T07:00:08","guid":{"rendered":"http:\/\/jazzusa.com\/?p=10499"},"modified":"2013-05-13T04:37:21","modified_gmt":"2013-05-13T11:37:21","slug":"bwb-to-release-michael-jackson-tribute-album","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=10499","title":{"rendered":"BWB to release Michael Jackson tribute album"},"content":{"rendered":"<p>Individually, they are three titans of contemporary music: Rick Braun, the gifted trumpeter\/flugelhornist with the golden voice; GRAMMY\u00ae Award-winning tenor saxophonist Kirk Whalum, the Memphis-born wunderkind who mixes Beale Street, gospel, the blues and bop; and Norman Brown, the GRAMMY\u00ae-winning guitarist who brings a Louisiana lilt to his Wes Montgomery\/George Benson influenced six-string soulful strut. They came together eleven years ago as the supergroup known as BWB and their historic album Groovin\u2019, made them one of the most sought-after groups at that time.<\/p>\n<p>This terrific triad reassembles with the June 18, 2013 release of Human Nature on Heads Up International, a division of Concord Music Group (international release dates may vary). This long-awaited sequel to their debut project spotlights BWB\u2019s stupendous reimaging of eleven selections made famous by the King of Pop, Michael Jackson.<\/p>\n<p>\u201cWe made the first BWB record in 2002 when we were all on Warner Bros. Jazz,\u201d Braun says. \u201cWe did a world tour behind the record. And then we\u2019ve all been off doing our own thing \u2013 so this is really a reunion. We have an incredible amount of respect for each other: We phrase together. We complete each other\u2019s sentences, musically. We\u2019re really just a good bunch of guys making music, and grateful to be doing that.\u201d<\/p>\n<p><a href=\"https:\/\/soundcloud.com\/concordmusicgroup\/sets\/bwb-braun-whalum-brown-human\/s-ACKwy\" target=\"_blank\">Preview the album<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Individually, they are three titans of contemporary music: Rick Braun,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-10499","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10499"}],"version-history":[{"count":4,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10499\/revisions"}],"predecessor-version":[{"id":10509,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10499\/revisions\/10509"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}