{"id":10430,"date":"2016-06-09T00:01:23","date_gmt":"2016-06-09T07:01:23","guid":{"rendered":"http:\/\/jazzusa.com\/?p=10430"},"modified":"2013-05-13T04:21:01","modified_gmt":"2013-05-13T11:21:01","slug":"vincent-lyn-wing-sing","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=10430","title":{"rendered":"Vincent Lyn &#8211; Wing Sing"},"content":{"rendered":"<p>Wing Sing is the follow- up to the highly successful Grammy Nominated Jazz Album Heaven Bound. Wing Sing is a wonderful change to the Smooth Jazz and R&#038;B sound. Once again Lyn shows off his stylized lyrical piano technique with some beautiful original melodies.<\/p>\n<p><iframe loading=\"lazy\" width=\"480\" height=\"300\" src=\"http:\/\/www.youtube.com\/embed\/4sIYrCPjwWE?feature=player_detailpage\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Vincent Lyn (piano, keyboards)<br \/>\nCurtis Long (bass)<br \/>\nGil Hawkins Jr. (drums)<br \/>\nUrbano Sanchez, Jr. (percussion)<br \/>\nJohn Gerardi (guitar)<br \/>\nMichelle Bradshaw (background vocals)<\/p>\n<p>Red Sun (feat. Gil Hawkins, Urbano Sanchez &#038; Curtis Long) 3:48<br \/>\nWalk On By (feat. Michelle Bradshaw) 4:08<br \/>\nDon\u2019t Say Goodbye (feat. Michelle Bradshaw) 5:59<br \/>\nCote D\u2019azur (feat. Gil Hawkins, Urbano Sanchez &#038; Curtis Long) 5:05<br \/>\nSee You in Rio (feat. John Gerardi &#038; Curtis Long) 4:58<br \/>\nThat\u2019s What You Do to Me (feat. Michelle Bradshaw) 4:45<br \/>\nBe Mine Tonight (feat. Gil Hawkins &#038; Curtis Long) 5:39<br \/>\nWake Me Up (feat. Gil Hawkins, Urbano Sanchez &#038; Curtis Long) 4:59<br \/>\nTake Flight (feat. John Gerardi &#038; Curtis Long) 3:38<br \/>\nThe 4 Crazies (feat. Curtis Long, Gil Hawkins &#038; Urbano Sanchez) 4:41<br \/>\nCantowood (feat. Curtis Long, Gil Hawkins &#038; Urbano Sanchez) 5:01<br \/>\nThat\u2019s What You Do to Me (Reprise) 2:00<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wing Sing is the follow- up to the highly successful<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-10430","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10430"}],"version-history":[{"count":2,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10430\/revisions"}],"predecessor-version":[{"id":10433,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10430\/revisions\/10433"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}