{"id":10396,"date":"2016-06-15T00:01:12","date_gmt":"2016-06-15T07:01:12","guid":{"rendered":"http:\/\/jazzusa.com\/?p=10396"},"modified":"2013-06-29T11:01:14","modified_gmt":"2013-06-29T18:01:14","slug":"james-morrison-snappy-too","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=10396","title":{"rendered":"James Morrison &#8211; Snappy Too"},"content":{"rendered":"<p>Snappy Too is the sequel to James Morrison&#8217;s recording of twenty years ago titled Snappy Doo and features Morrison playing four trumpets, four trombones, five saxophones, flugel horn, bass-trumpet and piano! Now that&#8217;s what you&#8217;d normally call a &#8220;one-man-big-band&#8221; but Morrision partnered with drummer Jeff Hamilton for this very large over-dubbing project.<br \/>\n<iframe loading=\"lazy\" width=\"480\" height=\"300\" src=\"http:\/\/www.youtube.com\/embed\/ZpiCEVHtHXM?feature=player_detailpage\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>The result is stellar and you&#8217;re going to be amazed at the professional sound that engineer Tod Deeley has given this\u00a0recording by putting down one instrument at a time. This creative odyssey features James playing such great songs as &#8220;All Of Me,&#8221; on solo trumpet, &#8220;Up A Lazy River,&#8221; on solo baritone sax and trumpet, and &#8220;Some Day My Prince Will Come,&#8221; on guitar and bass-trumpet, among 8 others. It&#8217;s funny that on an album with only two players that the sound is as big as it is.<\/p>\n<p>Hats off to this innovative project and the technical expertise that went into making it happen. Check it out. It&#8217;s Snappy Too!<\/p>\n<p>Reprinted with permission of&#8230;<br \/>\n<a href=\"http:\/\/www.soundsoftimelessjazz.com\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" title=\"Sounds of Timeless Jazz\" alt=\"Sounds of Timeless Jazz\" src=\"https:\/\/jazzusa.com\/sotjlogo.gif\" width=\"470\" height=\"70\" border=\"0\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Snappy Too is the sequel to James Morrison&#8217;s recording of<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-10396","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10396"}],"version-history":[{"count":3,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10396\/revisions"}],"predecessor-version":[{"id":10969,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10396\/revisions\/10969"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10396"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}