{"id":10385,"date":"2016-05-30T00:01:02","date_gmt":"2016-05-30T07:01:02","guid":{"rendered":"http:\/\/jazzusa.com\/?p=10385"},"modified":"2013-05-13T03:32:44","modified_gmt":"2013-05-13T10:32:44","slug":"luis-munoz-luz","status":"publish","type":"post","link":"https:\/\/jazzusa.com\/?p=10385","title":{"rendered":"Luis Munoz &#8211; Luz"},"content":{"rendered":"<p><i>Luz<\/i>\u00a0is the latest release from Costa Rican drummer\/percussionist\/ composer Luis Munoz, Munoz, a double ACAM Award winner for Jazz Composer of the Year wrote, arranged and orchestrated the nine songs on the CD. \u00a0It features singers Magos Herrera and Teka Penteriche alongside Munoz, Adam Asarnow on piano, Tom Etchart on acoustic bass, and other guest musicians.<\/p>\n<p>The recording opens with Teka Penteriche singing the vocal version of \u201cEl Sueno De Adan,\u201d a beautiful homage to Munoz\u2019s son that was previously released as an instrumental titled \u201cAdam\u2019s Dream\u201d on<i>Invisible\u00a0<\/i>(Pelin Music, 2010). It is followed by the title track from that same release and features a very lovely muted cornet performance by Jonathan Dane. Luis Munoz provides additional pianism and plays drums also.<\/p>\n<p>The remaining seven tracks also reveal Munoz on piano, shekere, percussion, and background vocals, and once again offer listeners his dedicated musicality and compositional integrity. Give Luz a listen and then <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/ASIN\/B00a8z774O\/thesoundsoftimel\/\">buy it at the SOTJ store<\/a>.<\/p>\n<p>Reprinted with permission of&#8230;<br \/>\n<a href=\"http:\/\/www.soundsoftimelessjazz.com\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" title=\"Sounds of Timeless Jazz\" alt=\"Sounds of Timeless Jazz\" src=\"https:\/\/jazzusa.com\/sotjlogo.gif\" width=\"470\" height=\"70\" border=\"0\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Luz\u00a0is the latest release from Costa Rican drummer\/percussionist\/ composer Luis<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-10385","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10385"}],"version-history":[{"count":1,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10385\/revisions"}],"predecessor-version":[{"id":10387,"href":"https:\/\/jazzusa.com\/index.php?rest_route=\/wp\/v2\/posts\/10385\/revisions\/10387"}],"wp:attachment":[{"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazzusa.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}