Coming to JazzUSA
  • December 23, 2014
  • Scarecrow Sessions Kiki Ebsen – Scarecrow Sessions
  • December 26, 2014
  • Floating Fred Hersch – Floating
  • December 29, 2014
  • Jimi Jazz Ron Westray – Jimi Jazz
  • January 1, 2015
  • The Signal Elizabeth Shepherd – The Signal
  • January 4, 2015
  • essential Jean-Michel Pilc – Essential
  • January 7, 2015
  • Conscious Journey Kenny Lavender – Conscious Journey
  • January 10, 2015
  • trumpet story Bill Warfield Big Band – Trumpet Story
  • January 13, 2015
  • Lets Adam Schroeder – Let’s
  • January 16, 2015
  • OverTime Music of Bob Brookmeyer The Vanguard Jazz Orchestra – OverTime: Music of Bob Brookmeyer
  • January 19, 2015
  • motif Greg Abate Quartet – Motif
  • January 22, 2015
  • trilogy Chick Corea – Trilogy
  • January 25, 2015
  • Pacific Jazz Clare Fischer Big Band – Pacific Jazz
  • January 28, 2015
  • Overnight Sensation Joey Sommerville – Overnight Sensation
  • January 31, 2015
  • Bada Boom Ranjit Barot – Bada Boom
  • February 3, 2015
  • Samsara Expansions: The Dave Liebman Group – Samsara
  • February 6, 2015
  • indigo Dan Siegel – Indigo
  • February 9, 2015
  • Trinomial Mark Minchello – Trinomial
  • February 12, 2015
  • A Bird in the Hand Ben Bailey & the Nashville Big Band – A Bird in the Hand
  • February 13, 2015
  • Identities Are Changeable Miguel Zenon – Identities Are Changeable
  • February 15, 2015
  • Djangos Castle Hank Marvin – Django’s Castle


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    biches
    Nicholas Payton – Bitches

    Bitches is a love story that musically chronicles the joys and heartbreak of relationship. A provocative and breakthrough recording on many levels, this is a pop-inspired concept album infused with modern jazz and neo-soul, featuring special guest vocalists Cassandra Wilson, Esperanza Spalding, N dambi, Chinah Blac, and Saunders Sermons!

    Grammy Award winner Nicholas Payton plays every instrument, composed all the songs, wrote all the lyrics, produced each track, and sings and plays trumpet throughout this record. This is both good and bad because although it is overall a very fine production, there are places where instrument specialists may have been better suited to the music.  Use Duke for your keyboardist, Marcus or Stanley on Bass, and focus on being Nicholas. Not a knock, because I love the CD, but maybe….

    biches

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