Coming to JazzUSA
  • November 1, 2014
  • Were back Gerry Gibb Thrasher Dream Trio – We’re Back
  • November 3, 2014
  • A Simple Trurh Ernie Watts Quartet – A Simple Truth
  • November 5, 2014
  • Can You Hear Me Patrick Bradley – Can You Hear Me (feat. Dave Koz)
  • November 8, 2014
  • Apocryphal Vinnie Sperrazza – Apocryphal
  • November 11, 2014
  • Ive Been to Many Places Matthew Shipp – I’ve Been to Many Places
  • November 14, 2014
  • In the mood Herb Alpert – In the Mood
  • November 17, 2014
  • Uplift Monty Alexander – Uplift
  • November 20, 2014
  • To Lady with Love Annie Ross – To Lady with Love
  • November 23, 2014
  • Wonders The Piano Guys – Wonders
  • November 26, 2014
  • Retro Forward Eric Darius – Retro Forward
  • November 29, 2014
  • Longing Anna Danes – Longing
  • December 2, 2014
  • 3 brave souls John Beasley, Darryl Jones, Ndugu Chancler – 3 Brave Souls
  • December 3, 2014
  • Feinsteinxmas A Michael Feinstein Christmas
  • December 5, 2014
  • Friends Stanley Jordan – Friends

  • macavexmas It’s Christmas on Mack Avenue
  • December 8, 2014
  • Common Ground New Gary Burton Quartet – Common Ground
  • December 11, 2014
  • Soul Secrets Gregg Karukas – Soul Secrets
  • December 14, 2014
  • MIlestone Adam Cruz – Milestone
  • December 17, 2014
  • Up Stanley Clarke – Up
  • December 20, 2014
  • Why Ginger Baker – Why


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    therevolutionwillbejazz
    Giacomo Gates – The Revolution Will Be Jazz

    Giacomo Gates is the complete vocal stylist. He’s often credited as a contemporary Eddie Jefferson, but with his full-bodied baritone and blazing inventiveness he sounds like a cross between Billy Eckstine and Kurt Elling. As bracing an innovator as he is an interpreter, Gates transforms his latest recording into a cornucopia of delicacies that extends from the smooth and mellow to the razor-sharp.

    For his Savant Records’ debut, Gates has chosen to perform a stimulating selection of songs by the influential and controversial Gil Scott-Heron. Scott-Heron made music that reflected the turbulence, uncertainty and increasing pessimism of the early 70s, merging the soul and jazz and drawing on an oral poetry tradition that reached back to the blues and forward to hip-hop.

    This material is tailor-made for Gates, who without question is the best-suited performer to deliver the satirical and insightful lyrics of a true American original, Gil Scott-Heron.

    This is one of those CDs that you can put on and forget it; let it play all afternoon and you will find yourself loving it the entire time!

    therevolutionwillbejazz

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