Coming to JazzUSA
  • August 25, 2014
  • Enjoy the view Joey De Francesco – Enjoy the View
  • August 28, 2014
  • subtext Steve Khan – Subtext
  • August 31, 2014
  • Bliss Cindy Bradley – Bliss
  • September 3, 2014
  • We Are One The Omar Hakim Experience – We Are One
  • September 6, 2014
  • Slam Dunk Gerald Albright – Slam Dunk
  • September 9, 2014
  • Wallflower Diana Krall – Wallflower
  • September 12, 2014
  • The Changing Lights Stacey Kent – The Changing Lights
  • September 15, 2014
  • Root of Things Matthew Shipp Trio – Root of Things
  • September 18, 2014
  • Turn the Sea Natalie Cressman – Turn the Sea
  • September 21, 2014
  • Ske-Dat-De-Dat The Spirit of Satch Dr. John – Ske-Dat-De-Dat: The Spirit of Satch
  • September 24, 2014
  • Floating Fred Hersch – Floating
  • September 27, 2014
  • Conscious Journey Kenny Lavender – Conscious Journey
  • September 30, 2014
  • PaulBrownTruthBTold Paul Brown – Truth B Told
  • October 3, 2014
  • Why Ginger Baker – Why
  • October 5, 2014
  • Lets Adam Schroeder – Let’s


    Subscribe to JazzUSA Don't miss it - Subscribe by RSS.

    Click to visit Sounds of Timeless Jazz
    View a Category
    Christian aTunde Adjuah
    Christian Scott – Christian aTunde Adjuah
    Christian aTunde Adjuah—(Christian Scott’s new name, and the aame of his new CD) continues to delve into uncharted jazz territory as the artist analyzes his African heritage, New Orleans ancestry, and present Harlem lifestyle on the two-disc set.  “The album cover is a self-portrait, a two-tiered depiction of me in the ceremonial regalia of the Afro-Native American Culture of New Orleans– colloquially known as Black Indians or Mardi Gras Indians. Christian’s band consists of guitarist Matthew Stevens, drummer Jamire Williams, bassist Kris Funn and pianist Lawrence Fields. Christian also recruited guests; tenor saxophonist Kenneth Whalum III, alto saxophonist Louis Fouche IIII, and trombonist Corey King.
    “Fatima Aisha Rokero 400,” opens Disc One, where the trumpeter boldly soars over Stevens’ guitar and eerie muses. “New New Orleans (King Adjuah Stomp),” is a rhythmic bouncer about the resilience of post-Katrina New Orleans. He shines on his quiet, muted-trumpet as they perform  “Who They Wish I Was” about how people have equated his band with the classic Miles Davis Quintet of the ‘60s; the pounding “Pyrrhic Victory of aTunde Adjuah” is about the negative reactions of people to Scott’s name completion; while  “Kiel,” is a reflective musical portrait of Christian’s twin brother.
    The second disc includes the catchy melody, guitar-growled, hopeful “The Berlin Patient (CCR5)”; the snappy-drum patterned “When Marissa Stands Her Ground”; the melodic tune “Liar Liar”; and the ballad “I Do” that Christian wrote to celebrate his engagement. “Cara” ends the album with its romantic beauty that spotlights his breathy trumpet lines over Fields’ rich piano comping. Overall, Christian aTunde Adjuah is a masterwork and places him among the best trumpeters and composers of his generation.
    Christian aTunde Adjuah

    Leave a Reply

    PDX Jazz Upcoming Events
    JazzUSA Merchandise
    Click to visit the BlackUSA History Site